Posted by: txtincorporated | November 8, 2009

For What (and Whom) are You Thankful?

Heading into the Holidays, it’s good to remember everything we’re thankful for—and everyone to thank.  Few things communicate gratitude like a hand written note, and my client Marco Larsen of publicity firm PUBLIC nyc has some excellent advice on composing one.  He focuses on press contacts who cover his clients, but we can all take heed.  Here’s an excerpt from Marco’s recently-released DON’T, the Essential Guide to Publicity in New York City (and Any Other City That Matters):

DON’T FORGET TO WRITE.
©Marco Larsen, 2009

A call that achieves tangible results (read: press) for you represents a favor from your media contact.  Your contacts realize this fact no matter how graciously they may feign to overlook it.  A call followed up only by the next pitch resembles a Saturday night date followed up only with another Thursday afternoon query.  The timing is somehow suspect.

Wham, bam, thank you, Ma’am is never a shrewd approach to a (long term) relationship.

Saying thank you with another call might be awkward.  E-mail says, “Your gracious assistance is this important to me: CLICK-CLICK.”  It places you comfortably among the legion of hacks styling themselves publicists.  Place yourself among gracious professionals, instead.

Have you ever received a proper thank you note?  Written on quality stationery with a postmark and everything?  It made you feel special, did it not?  People genuinely enjoy being noted for their efforts.

In business, there are myriad reasons to send a thank you note:  for a good professional turn, in response to a referral, after a job interview, or when you have been treated to lunch by a contact or similarly entertained by your boss.  Less and less common in our manic age of email, texting, BlackBerries and mobile phones, it’s a classically courteous and nearly effortless way to define yourself as considerate and well mannered.

Above all, never type a thank you note:  it is not “more business-like”, it’s just “less charming”.  The recipient will assume you lack either legible penmanship or simple grace.  Use company letterhead and a matching envelope, and they’ll suppose you lack either taste or proper stationery.

Invest in quality 5 x 7 correspondence cards or fold-over notes in a style that balances classicism with modern simplicity.  Tasteful personal touches—your name, initials, an elegant border—are never out of place.  Sidestep anything florid, homespun, metallic, overly personalized, or with the words ‘thank you’ printed on it.

Your message should be simple, succinct and forward-looking.  Punctuation is important. Don’t begin with ‘thank you’, but rather, what you most appreciate about the person’s having taken the time to work with you and how you look forward to future endeavors.  Then thank them and close, on a new line, with “Best”, “Best regards” or “Sincerely”.  Sign your name in a confident hand and, if necessary, toss in your business card.  Always use the honorific when addressing an envelope—Mr. John Smith, not John Smith—and post within 5 days of the event.

A gracious gesture of appreciation, your thoughtfulness will set you apart, accrue good will and aid in your success.  In writing thank-you notes to others for their efforts, you are recognized for your own.  It’s win-win.

And since we seem to be on the subject of writing…

For the rest of Marco’s thoughts on publicity in NYC, and his general advice on business relationships, point your browser to the DON’T Web site to place your order.  …and don’t forget copies for those who’ve earned more than just a note.


Posted by: txtincorporated | September 27, 2009

DON’T is Out!

Anyone who’s looked at my Samples page has probably noticed my work on a book project called DON’T, whose author, Marco Larsen, heads the boutique publicity firm PUBLIC nyc.  The book’s full title states its purpose nicely:  DON’T, the Essential Guide to Publicity in New York City (and Any Other City That Matters).

Marco calls DON’T “a distillation of my own, my clients’ and contacts’ experience on the hard, bright streets of the World’s Greatest City,” and as you might imagine, throughout the book his wisdom is laced with sardonic—often hilarious—observation.

If you’ve ever considered a career in publicity, have an interest in how the professionals do it, or just enjoy an occasional peek into the bowels of New York City’s 24-hour media machine, DON’T will be an entertaining read.  If you’re in any business that demands contact with clients or the public, any number of Marco’s pithy “Don’ts” will prove invaluable.

And after a final flurry of editorial polishing and a gala release party earlier this summer, I can now happily announce that DON’T is officially complete!  You can purchase it on Amazon, of course, or you can order from the book’s Web site, where you can also browse headings for a few choice “Don’ts” (“DON’T Commute in Running Shoes”, for example, or “DON’T Order Vile Hooch”).

Additionally, watch this space over the next few weeks for excerpts on writing, which Marco has generously agreed to let me quote here.

And don’t forget to enjoy the party snaps!


All slides ©PUBLIC nyc 2009

Posted by: txtincorporated | August 25, 2009

Elevator 8: Your ps and qs

So now I’ve used my BNI elevator pitch in an eight-week series to orient my fellow members of Chapter 41 to my business.  If they don’t have a pretty detailed impression by now, either they’re too preoccupied with their fruit assortments or I’m just not the communicator I thought I was.  But now we’ve finally worked our way down to the last thing writers actually check before they close the envelope or click “send”:  grammar, spelling and mechanics.

I hope my last few commercials have made clear just how much writers do besides ensuring that your copy is “correct”.  That counts, too, though, and you’d be amazed how often people impair style and clarity or even make mistakes in the belief that they’re correcting a piece. The number one problem I see is misplaced or omitted commas that unintentionally alter or obscure meaning.  Given how tricky this unassuming little squiggle can be, it’s no surprise people so often misapply it.

Then there’s the awkward, wooden tone that results from from thinking contractions like “we’ve” and other conversational expressions are somehow improper.  And don’t even get me started on Spell Check!  Professional writers need neither automated gimmicks nor schoolbook rigidity to fit your message to your image both crisply and correctly.

Web designers, graphic designers and marketers intuitively appreciate this ability, and hopefully when you see how editorial crafting makes their finished products shine, you will too.  If yours aren’t using a writer already, why not put them in touch with me?

Nathan Keene, txt, inc.: Get it written.

Posted by: txtincorporated | July 21, 2009

Elevator 7: How to Keep Your Tone

My penultimate BNI elevator pitch deals with one of the final steps in writing:  shaping the attitude and personality your readers will perceive in you and your business.

If you’ve stayed with me through all these steps, you may feel like writing is more about planning your words than getting them onto the page.  Not entirely:  it’s also about editing them once they’re there.

Once you’ve strategized, formatted and structured your message, and once you have actual words on paper (or screen), really you’re just getting started.  Now it’s time to make sure your words not only say what you really want said, but show you as you want to be seen.

What tone best fits your brand?  Are you casual, breezy and fun?  Sardonically hip?  Understanding and kind?  Crisply authoritative?  How you say what you say to your clients and partners tells them as much about your mission and values as what you say—sometimes more.

Your graphic or Web designer might notice inconsistencies between your copy and your branding, but most of these professionals won’t consider it their place to fix such problems.  Rather, they’ll try to refer you to someone like me, and if they don’t have editorial services in house already, I’m always happy to partner with them on your project.

Nathan Keene, txt, inc.:  Get it written.

Posted by: txtincorporated | May 27, 2009

Elevator 6: The What and the Why

In this BNI elevator pitch we get to the heart of determining the content in your document.  This is the part where you actually have to start writing:        

If you’re far enough into a piece to plan its format and structure, target its audience and choose your approach, chances are you have a good idea what your message is going to be.

So whether dashing off a quick note to a colleague or working on a chapter for a book, you’ve defined, say, five key points you want people to comprehend and act on—and of course which action you want.

It may seem strange to establish the what and the why only after the who and the how.  And sure, the first two may be givens.  Still, they’ll probably fall into place more easily with preparation.  If they don’t, maybe your message isn’t so cut and dried after all.

Focusing your message is where your writer, working alongside your Web developer, graphic designer or PR/marketing consultant, can often help the most.  And those are all great contacts for me!

If you are one or know any, I’d love to chat.

Nathan Keene, txt, inc.: Get it written.

Posted by: txtincorporated | March 12, 2009

Elevator 5: The Art of Words

My previous BNI elevator pitches have gradually shifted focus from how you plan your document to what goes into it.  Now we’re just about ready to write: 

Communicating with partners, colleagues and customers is about more than just stating your case. One of the areas where consulting with a writer can make the most difference is when it comes to deciding what strategy will move or inform your readers most powerfully.

Will airtight logic work best, or should you appeal to emotion? Should you start by getting down to brass tacks, or justify your conclusions carefully before revealing them? How about your tone: casually breezy, warmly intimate or formal and restrained? Sometimes the less consequential a piece seems the more difference strategy makes.

I help Web and graphic designers, project managers and art directors navigate such issues based on the purpose, type and audience of the piece they need. They’re all great people for me to meet; if you know any or are one yourself, let’s talk!

Nathan Keene, txt, inc.: Get it written.

Posted by: txtincorporated | February 22, 2009

Elevator 4: You Talkin to Me?

Having touched on the importance of an appropriate format and clear structure, in my next BNI elevator pitch I move deeper into the actual content of your writing with a look at why you need to consider your audience before you start:        

People often assume if you’re talking about a writer, that’s someone primarily concerned with spelling and grammar. True, those mistakes can be embarrassing, but they’re not the most damaging problems for communication.

I’ve already mentioned how much more readable clear formatting and structure make your documents, but it’s just as important to remember your different audiences and their agendas, too. When I’m working on something for a client one of the first things we consider is who’s going to be reading it, why, where and when.

Even when you’re dashing off an e-mail or a memo on your own it helps to take a moment and consider the audience and context this way. For important pieces it can play a major role in how your message is received.

If you’re talking to a Web or graphic designer, a project manager or art director, chances are they or their clients face this issue every day, and I may be able to help them out.

Nathan Keene, txt, inc.: Get it written.

Posted by: txtincorporated | February 16, 2009

Elevator 3: Everybody Needs a Little Structure

Continuing my series of 60-second BNI elevator pitches, I sum up how a writer moves from the visual aspect of your writing to helping you control the text itself:      

In my last elevator pitch I mentioned how important it is to convey professionalism with correct formatting in your documents—even less formal ones like e-mail messages.

Just as important is your document’s structure. A well-written beginning, middle and end signal clearly what your message has to do with readers, what it is, and how you want them to respond.

On average, executives spend 7 seconds looking at a piece of text before they decide what it means to them. Text that’s disorganized, repetitious or fails to establish relevance immediately is too easy to misunderstand—or just toss aside.

I work with Web and graphic designers, project managers, marketing directors and entrepreneurs themselves to organize their communication so it conveys its message efficiently. If you know any of these people, I’d love to talk with them!

Nathan Keene, txt, inc.:  Get it written.

Posted by: txtincorporated | December 20, 2008

Elevator 2: How Do You Format Yourself?

I’ve been posting a series of my “60-second Elevator Pitches”, which I’ve used to explain my business to my partners in Manhattan BNI Chapter 41.  You can find the introduction in my last post; here’s the next one: 

 

My name is Nathan Keene. I write both promotional copy and informative content for Web sites, marketing materials and business communications, like presentations and proposals.

A lot of people seem to assume we writers earn our keep primarily through our superior grammar, spelling and punctuation. If you’ve spoken to one of us any length of time, you know there’ s more to it than that.

Tone, style—even the way you format your documents can affect the reception you get. In your e-mail messages, for example, do you include the date at the head of the message, open with a greeting and sign off with your name or initials as if it were a proper business letter? Or have you fallen into the common assumption that because you’re communicating electronically, professionalism no longer applies? A simple shift in this attitude adds instant polish to your routine correspondence.

Imagine the impact it could have on your proposals, Web site and brochures.

The fact is that you send a message about yourself and your business not just by how you dress, design your branding, or even choose your words. The way you format those words on the page says something, too. Even for everyday communications, I advise people to take time and seek advice not just on spelling and grammar but all the details; fail to do so on a key marketing or business document, and you could be flushing money down the drain.

Nathan Keene, txt, incorporated: Get It Written.

Posted by: txtincorporated | November 20, 2008

Elevator 1: What Do Writers Do? (And Don’t Just Say “They Write”!)

As promised in my previous post, here is the first in a series of 60-second “elevator pitches” I’ve been using to familiarize business networking partners with what I do.  In any new setting, I start off with the basics:        

My name is Nathan Keene. I write both promotional copy and informative content for Web sites, marketing materials and business communications, like presentations and proposals.
  
Too often businesses take good writing for granted. In fact, it is a consummate process. I’ve mastered that process—from brainstorming through the final draft—over 20 years of teaching and producing business writing. Whether helping clients plan a communication strategy, drafting their text or even just editing it, I’ve seen how polished writing sharpens your image just like an elegant Web site or a well-cut suit.

Web developers and graphic designers are my most powerful referrals, and I also work with a number of business people directly, both consulting and writing.

Nathan Keene, txt, incorporated: Get It Written.

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